The Caribbean Fort Builder

He had been the governor for nine hours, and two of those hours had been a nap. Edmund Hale was a mid-tier game designer in Toronto. He died on a Tuesday. He woke up on a Wednesday in someone else's body, in someone else's coat, in someone else's office, holding someone else's seal of authority over a sun-blasted British outpost called Saint Caro. The fort is undermanned. The garrison is half drunk. The treasury is a polite fiction. Three pirate captains want the harbor. A French squadron wants the island. A tax commissioner from London wants Edmund's head on a writ. And the System, that quiet little overlay only Edmund can see, will not tell him what to do. It will only score him on what he chooses. He is anxious. He is decent. He winces at violence and signs the warrant anyway. He is, by every measure his old life used it, the wrong man for this. Which is exactly why he might be the right one. What you get inside: A colonial-era base-building LitRPG with the management depth of a strategy game and the political knife-work of a courtroom drama. A System that watches, weighs, and never holds your hand. No floating tutorials. No quest markers. Choices have prices, and the ledger remembers. A fort to repair, a garrison to feed, a harbor to defend, and a town that does not yet trust the new governor who keeps counting his steps under his breath. A cast that earns its space on the page. A West Country old sailor who calls Edmund "lad" and means it. A French privateer captain with manners and a knife. A Dutch merchant who reads contracts like scripture. A sharp tavern-keeper from a country that no longer exists, who knows every secret on the dock and tells Edmund exactly none of them, at first.